Since the 18th century, artists have played a conflicting role in society. Part of the reason for this, argues this analysis, is the survival of the culture of idolatry in the modern age. They can either paint scenes of worship of the golden calf or they can fabricate the idol themselves.
This book is a unique collaboration between a philosopher and an artist who bring different perspectives to bear on how the avant-garde navigates the cultural,financial, and technological challenges presented by the postmodern condition.
