By Antonio Tabucchi, one of the most renowned voices in European literature and the foremost Italian writer of his generation, The Woman of Porto Pim is made up of enchanting, hallucinatory fragments that take place on the Azores Islands off the coast of Portugal. Told by a visiting Italian writer unearthing legends, relics and histories of the inhabitants, the tales shed light on a local restaurant proprietress's impossible love with an Azorean fisherman during WWII, a dazzling whaling expedition of eras past, shipwrecks both metaphorical and real, and a playful look at humankind from the perspective of a whale.
"What a strange and wonderful book this is! If, like me, you are interested in shipwrecks, whales, the Azores and the unique way in which only literature can bring a location to life, and if you like the unclassifiable, small works by authors such as Michael Ondaatje and Italo Calvino — then have I got the book for you ... Wildly inventive." — Ethan Rutherford, Minneapolis Star-Tribune
Tabucchi's prose creates a deep, near-profound and sometimes heart-wrenching nostalgia and constantly evokes the pain of recognizing the speed of life's passing which everyone knows but few have the strength to accept ... Wonderfully thought-provoking and beautiful. —Alan Cheuse, All Things Considered
Ruminative, elegiac and mordantly funny, Mr. Tabucchi¢s prose conjures a state between waking and dreaming. —The New York Times
There is in Tabucchi's stories the touch of the true magician, who astonishes us by never trying too hard for his subtle, elusive, and remarkable effects. —The San Francisco Examiner
A witty and subtle meditation on the limits of memory and imagination. —Nick Hornby, Times Literary Supplement
Elegant, cosmopolitan, inventive, ambitious, and disquieting; his writing is, paradoxically, sensual and economical. —Boston Review
Meticulously crafted . . . marked by wit, emotion, memory, and lost grandeur. —Publishers Weekly
"On a final note, I must add that this reviewer had the pleasure of reading The Woman of Porto Pim at the seaside. If at all possible, I recommend all others do the same. I imagine, however, that Tabucchi’s prose, and Parks’s translation, would allow the sea to come to you, wherever you may find yourself reading." — Monika Seger, World Literature Today
Like good short fiction, the stories in this volume act in ways that suggest a wider world outside the frame of the story. —Sycamore Review
