This is a collection of original essays on auditory perception and the nature of sounds - an emerging area of interest in the philosophy of mind, epistemology, and metaphysics. The essays discuss a wide range of issues, including the nature of sound, the spatial aspects of hearing, musical experience, and the perception of speech.

Sounds and Perception is a collection of original essays on auditory perception and the nature of sounds - an emerging area of interest in the philosophy of mind and perception, and in the metaphysics of sensible qualities. The individual essays discuss a wide range of issues, including the nature of sound, the spatial aspects of auditory experience, hearing silence, musical experience, and the perception of speech; a substantial introduction by the editors serves to contextualize the essays and make connections between them. This collection will serve both as an introduction to the nature of auditory perception and as the definitive resource for coverage of the main questions that constitute the philosophy of sounds and audition. The views are original, and there is substantive engagement among contributors. This collection will stimulate future research in this area.

This collection of new essays exhibits the wide range of interesting questions concerning sounds and sound perception, some familiar from other sense modalities and others that are unique to audition, and should be of interest to both experts and newcomers to the study of auditory perception.