This book, based on a conference organized by Friends of Mr Biswas, explores the writing careers of Seepersad Naipaul and his two sons, Vidia and Shiva, within the supportive but sometimes painful closeness of family connections--synergies that V.S. Naipaul sometimes laboured to conceal, as the publishing history of his father's collection of short stories and Letters between a Father and Son both show. Essays by Brinsley Samaroo and Aaron Eastley focus on Seepersad Naipaul's importance as a journalist who revealed hidden areas in Trinidadian society, who boldly creolised reporting styles and showed his sons the possibilities of combining fiction and non-fiction. Arnold Rampersad, in his moving essay on his journalist father, Jerome, further makes the case for a tradition of Trinidadian newspaper writing that achieves literary quality. Some of the essays find new things to say about V.S. Naipaul: Andre Bagoo writes on his fascination with gay sexuality and cinema; another essay deals with the themes of sadomasochism and incest. Robert Clarke provides a visual dimension to the book in a photo essay on the St James district of Port of Spain, which contains 26 Nepaul Street, the house for Mr Biswas, and J. Vijay Maharaj writes on the complementary art of Shastri Maharaj.