Hereafter Knowing in Sonnets and Other Similars explores the work of prominent poets including Aristotle's epistemology enabling a depiction of sonnets and their similars and how temporality is key, by way of Augustine, to a comparative procedure that explores the closing features in sonnet-writing and in poems by American poets.

Hereafter Knowing in Sonnets and Their Similars explores the work of prominent poets through a philosophical and theological lens. It focuses on the well-travelled yet precarious achievement that is Petrarch’s writing of the sonnet in Italian, his English successors Wyatt and Spenser with their own amatory strategies, and how Shakespeare’s sonnets turn the many difficult corners for imagining a writing against the untimely. Its reach includes ancient, medieval, and modern philosophy; scripture; patristic theology; Renaissance and contemporary poetry; and numerous language traditions including Greek, Latin, Italian, French, German, and English. Robert Mueller explores a set of writers who address themselves to manifestations of the Other—for Dan Machlin to the place of Body, for Augustine to his wanting to know the Lord, for Petrarch to the honor of Love—alongside Aristotelian and other forms of epistemology. Through exacting, insightful, and original readings of these writers, Mueller analyzes the circuits and relations that connect them to those they address, with particular attention, especially for Sharon Dolin, to living their lives in these relations, and also to the temporal positions they adopt among the similar expressions of longing and seeking. The book offers new readings of canonical and noncanonical texts and assembles a singular archive of writers across many centuries and language traditions.