Offers new insight into the muted but powerful radical aspects of Kazuo Ishiguro's writing, while also placing these in a global literary tradition. Across a book whose own critical disposition consciously models the very gestural strategies to which it attends, Peter Sloane limns the thresholds of fraught expression and partially disclosed implication that readers have long found so beguiling in Ishiguro's fiction. By patiently accompanying and explicating evanescent forms of signification, he tracks moments of protean insight and unsettling inarticulacy that are easily passed over. An expert portrait of a 'delicately experimental' novelist emerges that helps us to understand how Ishiguro turns the task of confronting ineffable dimensions of experience into a virtue.