Giorgio Biancorosso is the author of Situated Listening: The Sound of Absorption in Classical Cinema (2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion (2024). He is Professor of Music at the University of Hong Kong.

Roberto Calabretto is Professor of Music in Audio-Visual Media and Music History at the University of Udine, Italy. His book Lo schermo sonoro. La musica per film (The Sound Screen. Music for Films) (2010), now in its seventh edition, has received widespread critical acclaim and has become a reference work in the field of film music studies.