Giving voice to the hardworking Italian immigrants who worked, lived, and died in New York City shortly before the Great Depression, this American classic ranks with Steinbeck’s The Grapes of Wrath as one of the 20th century’s great works of social protest.
 
Largely autobiographical, Christ in Concrete opens with the dramatic Good Friday collapse of a building under construction, crucifying in concrete an Italian construction worker, whose death leaves his pregnant wife and eight children impoverished. His oldest son, Paul, at just twelve years old, must take over his father’s role—and his job.
 
Paul’s odyssey into manhood begins on the high girders where death is an occupational hazard and a boy’s dreams are the first fatality. Written in sonorous prose that recalls the speaker’s Italian origins, Pietro di Donato’s Christ in Concrete is at once a powerful social document and a deeply moving story about the American immigrant experience.

An uncompromising yet beautiful portrait of the life of Italian immigrants on the Lower East Side of Manhattan in the 1920s, Christ in Concrete is the story of a twelve-year-old boy who must support his family after his father's untimely death.

Praise for Christ in Concrete

“Written in white-hot passion.”—The New Yorker

“Robust and full-blooded and passionate, now and then almost to the point of craziness...[di Donato] has imagination and a healthy sense of poetry...sometimes one feels as though bricks and stones and trowelfuls of mortar have been thrown onto the pages and from them have arisen words.”—Saturday Review