In this major book, renowned art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of the Old Masters be rejected, replaced or reformed? 'The flow of the book is wondrous, as Pollock buils each new idea onto the next, rounded out with rigorous research.' - Elizabeth Millard, ForeWardo'If you like psychoanalytic feminism accompanied by committed, sensitive writing, then you will enjoy this read.' - Professor Gen Doy, The Art Book